剧情简介

Wu_
$nder der  S@ _ch,#öpfung ]is an extraordina**r@ y, fasc )inating Kultur%-,film trying t[o explai?n the w - hol$=e human@\) kno$wl+[edge of the 1920s about the world and the,=; univer#?se. 1!!5 $special ef
@@fect) -s experts and 9/ (@ c)a^$meramen \were  ]involved in the production- ( of $this film whic_$#h combi ne\
, s[? do _/_c;[umen-/[:t@ ary s@%cenes, % + #_hist?]orica=l do!cument#]`,`s-, fiction elements, anim:%ation !scen#e*`s= and edu/ cationa_l !*i:^mpact.=  It*- its beaut *)i](]full ?y color?\$e ()d, using tin
]ting and to_ning in a!: very `_-elaborated way. =^Some visual ideas in the/ seq\u^ences with a space shuttle v+;(isiting different plane-ts in th=/e  $ uni#v==ers,[e seem to have to be t he i!ns=*pira:?t= ion for Stanley: )@Ku$
bric, k's 2001 A/, Space O:``;dy$%ssey.　　In t;he con]t]ext , of G^:erma(_ny';,_s Kulturfilm phenomenon, Wund;er der Schöpf+?%ung was among t_* he great%_
est ach-ieveme[(nts of the 1920s. The@_/ ?!production was constructed, rehe (arsed, (-(^and s[#ho;t ov*^er;+ a peri\[od of two and a half, years, under th;e s%,+
upe(rvisio+
n of Hanns Wal@,ter  Kornblum. The _.;idea to descr
ibe the un,iverse and man%`[('s p:lace in it `well suited UF_,A's G_`/ros sfilm [menta%/li..(ty, o
ne;?* y(ear )bef/!/ )ore the Me^tr@opolis cat;,]astr
, oph e. %/Hundreds of @skille /d craftsmen\; participated in the --(:proje ct` %, building pr+ops and % con:/structing scale[#\ model[;s drawn% \=)by #15 speci [al ef^f,,,ects d=`raughts*$m!
_ en; , while 9 cameramen !:!in separate units.,) w/@orked o_^^n the historical, docum !ent(a.*(-!ry, fiction, animation, and science-f ,;icti$=
$on=:-  s]equ/ences. %!#With/out ;s/
.tar roles/! or :even @\)protag onists, the film+/'(/`; s pl.,ot is crowde* d :wit+``h.  meticu+%l.,;#ou[
%sly /structur
::ed and skillf[*]ully acted s\ingle scenes an artfu %l m _osaic of small vignett%=es. No les%)s than; four credited univer[[sity);`] profess.ors ensu.#?red t
he fac _tual background behind #the s#!cientific and hist -%ori-cal eve`:nts portrayed/.　　The film's symbol of \p!rogr`;e `$ss and t#[he new sci=%_e
ntifi!c e`^\r? `a is a s/ -p`!?a$c;?ecraft, travelling t$hro_ugh th.^e` Milky Wa;
y, making $`a*@=ll the plan-^%]et! ,s an$,d their ins
_p/(,iri/n$@g )worl?ds ]!familiar to $$
!us, w:i@th th%e extravaganza of 
!th.+eir #*+distincti_ ve featu#@)res. The_@? film's educ?ational i+  :ntentions, @however, become st_ !e(adily_] mo@re^: o)bscure, humorous, or even cam:/py as( this pop_[ularization projec;t. % pr*.oc!eeds.;-; With t^he ex%^ \cuse of p`r-esenting the end of[ the world`%! ]a not-so-n
ew con;cept-.= as (a )_new, undeni_.]ably scientific +
truth, the film veers hap`! pi, ly alon*!`g a ne w+/ pa@(=t ; %h[#, displayi%!ng detailed apoca`@lyptic scen$?;
es of th[e[ en_d of m$a)nki^nd. For today's audience `-s_?*, thi*+s*_*[ a.-*ma/;zing + film demonstrates how the unive^-rse was;\ comprehend?ed= in the 192?!=%0s, a=`n,d how that vi
#ew w_!as sold!, to c_(ontemporary\:@ audien$ces.